The contemporary art scene in China is dominated by men. In the last 20 years, Chinese art has become a booming business that’s given birth to an elite group who’ve managed to make millions and establish themselves as celebrities within the industry. There are no women in this exclusive class.
As children of the Cultural Revolution in China during the last 50 years, female artists have emerged with the talent and confidence to articulate their perspective. While male constituents have flourished, female artists have difficulty finding an outlet to display their work. Museums refuse to hold female solo shows and out of the hundreds of galleries in the major cities like Beijing, women rarely get a platform. Most successful female artists in China are married to successful male artists. I can’t help but wonder then is the recognition based on her work or on the union and collaboration with an alpha male in the industry.
It’s interesting to find out that many of China’s female artists don’t identify themselves as feminists. One famous female artist, who’s work is a regular fixture at international shows, is Lin Tianmiao. She is married to the Chinese artist Wang Gongxin. When asked what she thinks about critics attempting to discredit her work’s validity by claiming that her gender is what dominates the influence in her work, “…she acknowledges that women are treated like second-class citizens in China — like “inactive thinkers,” as she puts it. Yet she is cautious about applying the term feminist to herself or her work. Why? The concept is too Western. It is too vague. China is not ready for feminism. China has its own brand of feminism. You hear variations on these reasons often, just as you do in the West. “
Art by women in China does not just have to do with “women’s issues.” That is as asinine as claiming that art created by men solely represents and is confined to “men’s issues.” Art is about transcending all that constrains humanity, including gender. And gender does not influence art. Life influences art. If a sex is marginalized by society, you cannot cry wolf when that gender’s art is reminiscent of those experiences. But I think art in China has less to do with the art industry not paving the way for women, and more with the government. Authority, especially the kind that tries to control all aspects of a citizen’s life is, after all, one of the most generous contributors to human restriction. What happens when the veil that covers the grim realities of women is moved to the side, cultural ideals about gender are reexamined, and people push for a new culture where men and women exist in an equal and harmonious balance?

What’s the word? Oh yes, REVOLUTION.
—femme for thought
Posted in femme for thought, world news
Tags: art, China, culture, gender, women